â€śCreative Socialâ€ť are a group of interactive creative directors who first got together in 2004. A year before YouTube launched and two years before Facebook went public.
So â€¦. before social media (as we know it) really took off.
Maybe they just knew that digital, in marketing terms, always equated with â€śsocialâ€ť.
Or maybe they just wanted to drink beer.
Whatever. Theyâ€™ve brought out a book of essays to celebrate nothing in particular â€“ and I recommend it hugely.
Itâ€™s called â€śDigital Advertising: past present and futureâ€ť – which covers quite a lot ground really, when you think about it.
Iâ€™m not going to review it. Iâ€™m just going to string together some quotes from a few of the essays â€“ stuff that may or may not be new to you, but which says things I like.
Thereâ€™s quite a lot of it â€“ so this is a longer blog than usual.
If you normally skim my blog with a tall latte, you might need a venti this time.
But then again â€“ this industry has struggled so much in coming to terms with â€śdigitalâ€ť, that it seemed like quite a meaty topic to me.
â€śThe web is not a selling medium; it is a buying medium.â€ť Jacob Nielsen, as quoted by Patrick Burgoyne.
â€śAdvertising has long been a contract. If you want the â€śgood stuffâ€ť â€“ Skins, GQ, Star Wars â€“ it must be funded by the â€śbad stuffâ€ť â€“ interruptions by freakishly happy, shouting people, spam and pre-rolls, and so on. But â€śgood stuffâ€ť can be funded by more â€śgood stuffâ€ť, like Lady Gaga in Diet Coke curlers, Gmail, and Nike +. It just takes a little more effortâ€ť. Andy Sandoz.
â€śIn the early fifties, only 10 percent of American homes had TV sets. By the midsixties, this figure rose to 95 percent. â€¦ The problem was that the old guard in charge of the advertising industry didnâ€™t know how to communicate with the new consumer effectively.â€ť Bill Bernbach, channelled during a sĂ©ance with Sam Ball and Dave Bedwood.
â€śDigital has been to â€śabove-the-lineâ€ť advertising as photography was to fine arts throughout most of the twentieth century â€“ a medium by and for the people, seen as overtly utilitarian and creatively poor, and lacking in grand advertising â€śauteursâ€ť. Instead, digital grew in the margins and was developed by innovators who were mostly young, self-taught and ready to make do with DIY toolsâ€ť. Laura Jordan Bambach
â€śWant word of mouth ? Deeply collaborate with your consumers, and youâ€™ve got itâ€ť. Ditto.
â€śWe have to accept that advertising was for a long time (and often still is) about how to trick consumers into buying a product â€“ not to mention brainwashing them. But something has changed.â€ť Sam de Volder
â€śIf there is one major difference between traditional and digital advertising, it is that, in digital, the consumer has to make the first move â€¦ so what the consumer gets to see actually needs to be worth that initial effort â€¦ Wouldnâ€™t it be fantastic as a brand to make advertising that not only sells your product but also helps people get more out of their lives ?â€ť Ditto
â€śWhere old advertising demonstrates the product proposition using actors or pictures, new forms help potential consumers experience the proposition for themselves.â€ť Chris Clarke
â€śSucceeding as a social brand is quite simple â€¦ Itâ€™s the â€śyou scratch my back, Iâ€™ll scratch yoursâ€ť principle inherent in all interactions between apes â€¦ Known as the â€śvalue exchangeâ€ť, this is the fundamental principle of the new marketing.â€ť Ditto
â€śWith the principle of value exchange in mind, smart brands have taken to looking at their target audienceâ€™s behaviours and interests, looking for overlap with the brand proposition, and then intervening in positive ways to amplify the audienceâ€™s enjoyment … This opens the door to some fruitful forms of value exchange where marketing budgets can be put to good use improving the world we live in rather than simply cluttering it up with ad messages.â€ť Ditto
â€śâ€¦ the internet is not constrained to that screen, that box in front of us anymore. The Net is migrating onto handsets and bleeding into the real world â€¦ But with all this data online, on mobiles and offline, how is anybody going to find anything anymore ? â€¦ We need a Filter on the old 2.0 web. A Meta web that sits around the old web like a halo or onion skin. This new brain is being fuelled by the fact that the current static IP address structure of the web with unique URLs for sites is also changing as we speak. We no longer access content through a unique URL; instead we have unique IP addresses for each piece of data. There will be an infinite number of unique addresses available, so each thought, image, word and pixel will have a unique address â€¦ The consequence of all this is that traditional online advertising will lose its importance. What surfaces on the Filter will be conversations about your product. Our opinions, thoughts, and feelings will replace advertising messages. Thatâ€™s why itâ€™s vital to have a good product â€“ something that people like to talk about. Good agencies understand that, and create content that comes through the Filter. Content thatâ€™s free, new, useful and funnyâ€ť. Flo Heiss.
â€śThe role of technology has been exaggerated over the years and has been used by some as a barrier to pushing the whole industry forward. Jargon was used as a defence mechanismâ€¦ We need to stop that. As I said, Iâ€™ve been doing this for years and still donâ€™t understand â€“ or want to understand â€“ the engine under the bonnet â€¦ It doesnâ€™t matter if you donâ€™t know what a SWF file is; itâ€™s irrelevant, as long as youâ€™re confident that someone in the team does â€¦ So, if you donâ€™t need to have technical knowledge, what do you need to have ? I think you need to have an empathy with the digital world and an understanding of the possibilities the technology gives us.â€ť James Cooper
â€śFor every Facebook, Youtube, Twitter or Foursquare, there are ten platforms or ideas that some media agencies will guarantee clients is the next must-have. Donâ€™t waste your time second-guessing this stuff. Concentrate on getting your head and your structures right so that when something interesting does come along, your organisation is ready to go. Be flexible, be nimble, and fluid, not just with your process but also with your media budget. By the way, this means experimenting and the whole thing about experimenting is that things go wrong. This is a good thing. Thatâ€™s how Post-its were made.â€ť Ditto
â€śLast century when I was just starting out building sites for big companies, there was an unexpected psychological turning point as brands built their first presence on the web. It was the innocuous-sounding section called â€śAbout Usâ€ť. â€¦ And it induced sheer panic in a lot of companies. If you think about it, they had never previously had to tell the general public what they were about â€¦ so it was a big identity crisis and a source of much discussion and argument and â€ścoming soonâ€ť pages. Over the years brands have worked out what to put on that page â€¦ the corporate home page is now sorted, but of course the internet will never be static. Social media has now replaced â€śAbout Usâ€ť as the biggest worry for corporations â€¦ So ironically, now there really are a bunch of folks in a room at all the big corporations trying to figure out how to act like a real person. Pretty awesome.â€ť Benjamin Palmer
â€śI really want brands to be disarming, to be more normal. To live up to the human aspirations that are part of their heritage. To integrate with us and be as dumb and smart and socially responsible and friendly as you or me. I figure that things will work out better if all the people in this industry feel like itâ€™s not only OK to be human about it, but itâ€™s actually the goalâ€ť. Ditto
Re the agency of the future â€“
â€śWe will see a return to full service but not as we know it. It will be made up of three core elements: creative, creative media, and creative tech.â€ť Daniele Fiandaca
â€śIndependence breeds creativity â€¦ the networks will realise that the buy-out model is ceasing to work (with the unfortunate demise of Farfar being a perfect example).â€ť Ditto
â€śThe concept of egolessness is probably the biggest difference I have seen in the digital sector as compared to the traditional world.â€ť Ditto
â€śI think the way agencies will work together (with other agencies) will change significantly â€¦ the actual idea for BK games originated from Burger Kingâ€™s PR agency. The fact that Crispin Porter embraced it and made it such a success is tantamount to a new level of collaboration. It was interesting to see a brand like Mini in the UK appointing two digital agencies, and asking them to work together.â€ť Ditto
â€śThe agency of the future will have some of the most creative and intelligent people in the world â€¦ the agency should be thinking up ideas and taking these to clients and charging them on a royalties basis.â€ť Ditto
â€śFor the first time in human history, an unprecedented number of people have the ability to give constant feedback to any company on any topic at any time, whether those companies would like us to or not. â€¦ Technology has very kindly taken â€śgoodâ€ť from a moral â€śnice to haveâ€ť to a business imperativeâ€ť. Johnny Vulkan.
â€śBeing good in the digital age is not going to be about one single big idea. Itâ€™s going to be about a long tail of goodness. Itâ€™s about the everyday cumulative little moments and decisions made by each and everyone of us â€“ the â€śpleasesâ€ť and â€śthank yousâ€ť, the moments of reflection and invention and increasingly the moments of restraintâ€ť. Ditto
The book gives a brilliant sense of whatâ€™s been driving and fracturing UK marketing over the last decade. The perversity, the love of new things for their own sake, the hunger and cockiness and iconoclasm, the disarming honesty, the passion to make things better but also just to screw around in a wild-west world without restrictions. I love it all â€“ it was the spirit of what HHCL was all about, it was what I was trying to introduce at TBWA from 2006 â€“ 2008, and itâ€™s what Iâ€™ve loved being a part of at Albion ever since.
I donâ€™t know what the book is selling for, because I got it for free.
But it was worth every penny â€¦.